Modeling The Team Approach While Caring For Time Based

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Talk given by Richard McCoy at the Smithsonian/Hirshhorn/Lunder Colloquium "Collaborations in Conserving Time-Based Art" March 18th, 2010 Video can be seen here: http://www.ustream.tv/recorded/5538883
Transcript
  • 1. Modeling the Team Approach while Caring for Time-Based Media at the IMA<br />Collaborations in Conserving Time-Based Art<br />March 18th, 2010<br />
  • 2. Collaboration is Different from Leading and Sharing<br />W. Axle Rose (ca. 1989)<br />
  • 3. Original Members of Guns N’ Roses<br /><ul><li>Axl Rose
  • 4. Duff McKagan 
  • 5. Slash
  • 6. Steven Adler 
  • 7. IzzyStradlin </li></ul>Complete list of<br />Guns N’ Roses members<br /><ul><li>Axl Rose 
  • 8. Dizzy Reed 
  • 9. Tommy Stinson
  • 10. Chris Pitman 
  • 11. Richard Fortus 
  • 12. Ron "Bumblefoot" Thal
  • 13. Frank Ferrer 
  • 14. DJ Ashba
  • 15. Ole Beich  
  • 16. Rob Gardner 
  • 17. TraciiGuns 
  • 18. Steven Adler 
  • 19. IzzyStradlin 
  • 20. GilbyClarke 
  • 21. Matt Sorum 
  • 22. Slash
  • 23. Duff McKagan
  • 24. Josh Freese
  • 25. Paul Tobias
  • 26. Buckethead 
  • 27. Robin Finck 
  • 28. Bryan Mantia</li></li></ul><li>Richard McCoyAssociate Conservator of Objects & Variable Art<br />
  • 29. Main Building<br /><ul><li>Encyclopedic Collection of Art.
  • 30. More than 50,000 artworks in the collection.
  • 31. National & international exhibitions</li></li></ul><li>Garden and Grounds<br />
  • 32. Oldfields-Lilly House<br /><ul><li>National Historic Landmark
  • 33. 26 Acre Estate
  • 34. Interpreted as the 1930s home of J.K. Lilly</li></li></ul><li>The Miller House and Gardens<br />Designed by Eero Saarinen<br />Interiors by Alexander Girard<br />Landscape design by Daniel Urban Kiley<br />
  • 35.
  • 36.
  • 37. Bad Collaborator <br />
  • 38. Excellent Collaborators<br />
  • 39. Expansion of Contemporary Art Department at the IMA <br />2003 = 1 Curators of Contemporary Art<br />
  • 40. 2009 = 3 Curators of Contemporary Art & Lots of Projects<br />
  • 41. Variable Art is a term that defines art that possesses changing observable state. Such artwork can involve variable presentation formats, time-based fluctuations or other types of variables, for example:<br /><ul><li>Installation or site-sensitive artwork with artists’ instructions for implementation;
  • 42. Electronic or media-based art with updating platforms and devices;
  • 43. Conceptual art, ephemeral art, or art made with unsustainable materials.</li></li></ul><li>Prioritization SystemHighIMA Commissioned ArtworksIMA AcquisitionsIMA Owned ArtworksMediumNon-IMA Artworks that IMA may acquire.Non-IMA Artworks that are relevant to IMA's collection.LowNon-IMA Artworks that the IMA is not interested in acquiring.<br />
  • 44. We didn’t re-invent the wheel. We’re using the ones that exist.<br />
  • 45. We have good collaboration tools.<br />
  • 46.
  • 47.
  • 48.
  • 49.
  • 50. Nam June Paik, "Who's your Tree," 1996. Installation view at the Indianapolis Museum of Art, 1997. Now and Future Purchase Fund and Robert and Ina Mohlman Art Fund. The Estate of Nam June Paik.<br />
  • 51. Nam June Paik, "Who's your Tree," 1996. Installation view at the Indianapolis Museum of Art, 2009. Now and Future Purchase Fund and Robert and Ina Mohlman Art Fund. The Estate of Nam June Paik.<br />
  • 52. 1996 Signed document by Nam June Paik from the IMA's Historical Files<br />
  • 53. So, can I put these monitors in now?<br />What if we have to re-work the aluminum frame to accommodate new monitors?<br />
  • 54. Omar Fast: The Casting<br />
  • 55. Joshua Mosley: American International<br />
  • 56. TEA MÄKIPÄÄ: Eden II<br />
  • 57. Alfred Jaar: Park of the Laments<br />
  • 58. Robert Irwin: Light and Space III<br />
  • 59. Type A Working with IMA on Team Building<br />
  • 60. Trust Falls as Training?<br />
  • 61. Type A, "Team Building (Align)", 2009, conceptual renderings. Courtesy of the artists and Nicholas Fraser/Type A Studios.<br />
  • 62. Maya Lin: ABOVE AND BELOW<br />
  • 63. Thanks to everyone at the IMA<br />
  • 64. Questions for Me? Questions for you!<br />Are our issues and challenges any different than yours? (CRTs dissapearing, changing platforms, storage, etc)Does our prioritization system match yours? What do our titles say about what we do? New MediaTime-Based MediaModern & Contemporary ArtVariable Media ArtVariable Art<br />
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